"SERÁ MEJOR": Latest Release
"NADA ME PODRÁ VENCER": Latest Release
SERÁ MEJOR
Single
Composer: Antonio Valero
Recording Engineer: Miguel Ángel Yance
Mix Engineer: Miguel Ángel Yance
Mastering Engineer: Francisco Holzmann from Holz Masters (Santiago de Chile)
Recording Studios: MCA Studios (Lima, Peru) | Grandesigns Studios (Athens, Georgia, USA)
Cover Artwork: Fotográfica Films
"Será Mejor" Logo: Gerardo Larrea
NADA ME PODRÁ VENCER
Single
Composer: Miguel José Flores
Recording Engineer: Miguel Ángel Yance
Mix Engineer: Miguel Ángel Yance
Mastering Engineer: Francisco Holzmann from Holz Masters (Santiago, Chile)
Recording Studios: MCA Studios (Lima, Peru) | Vitto Galiano's Studio (Athens, Georgia, USA)
Cover Artwork: Fotográfica Films
"Nada Me Podrá Vencer" Logo: Fotográfica Films
SERÁ MEJOR
Official Video
AI Illustration: Grandesigns Studios
Edition: Fotográfica Films
"Será Mejor" Logo: Gerardo Larrea
NADA ME PODRÁ VENCER
Lyric Video
Photography: Fidel Carillo
Edition: Fotográfica Films
"Nada Me Podrá Vencer" Logo: Fotográfica Films
Location: Peru
The fourth song in La Rattio's creative journey toward their second studio album, "Será Mejor" represents one of the most sincere and emotionally introspective pieces in the band's repertoire. Written in 2007 by Antonio Valero, the song is inspired by a true event: the sudden and inevitable departure of a close friend's sister from home, an episode that became a revealing reflection on the emotional complexities hidden behind family ties.
Narrated in the first person, "Será Mejor" is not simply a chronicle of estrangement; it is an intimate portrait of the exact moment when pain transforms into decision, and decision into freedom. With sober and reflective lyrics, the song manages to distill that mixture of sadness, relief, and determination that often accompanies emotional breakdowns. It is a composition that does not seek to pass judgment, but rather to understand from a place of sensitivity, where the act of leaving is not abandonment, but sometimes the only possible way to preserve oneself.
In times when family loyalties are often cloaked in an unquestionable narrative, this song proposes an epiphany: the true act of maturity isn't always in resisting, but in having the clarity to know when to leave. And to do so with respect, with dignity, and above all, with the certainty that there is a love that is also expressed in the silence of a farewell. "Será Mejor" reminds us that there are decisions that, although painful, have the power to heal what can no longer be repaired from within.
Vitto Galiano, from his Grandesigns Studios in Athens, Georgia, USA, produced a music video developed almost entirely using Artificial Intelligence, based on a script written by Fotográfica Films in Lima, Peru.
The project involved the meticulous creation of two main characters—a man and a woman—whose actions and visual expressions accompany and amplify the lyrical and melodic content of "Será Mejor." Galiano designed, animated, and gave narrative coherence to each scene using advanced AI tools, applying art direction, visual pacing, and audiovisual narrative criteria with technical precision.
The execution required frame-by-frame work, integrating dramatic, melancholic, and hopeful images, ensuring that the piece functioned not only as musical accompaniment but as a standalone audiovisual work. The result demonstrates his mastery of the intersection of digital art and technology, as well as his ability to transform a narrative concept into a high-quality visual product.
The genesis of “Nada Me Podrá Vencer” occurred in movement, in that space of introspection and effort where the body and mind converge. While running, like every morning at 6 a.m., Miguel José Flores felt a tune emerge in his thoughts, and with it, clearly and forcefully, the phrase that would give the song its name. There were no hesitations or corrections: the words emerged with absolute clarity (nada me podrá vencer / nothing can defeat me), perhaps reflecting that small daily victory that comes from getting up and facing the weather, tiredness, and oneself.
But the song did not stop there. It took shape in the urban journeys that Miguel José travels on his way to work, between disparate scenes, streets of contrasts and fleeting glances that tell stories. The diversity of people, their anonymous struggles, the faces of perseverance and fragility that populate the city, were feeding the spirit of the composition. Thus, what began as a personal impulse transcended into a broader message: a declaration of resistance, an ode to the strength that resides in every step taken despite adversity.
With a sound identity that evokes the stylistic fusion of the 70s, “Nada Me Podrá Vencer” stands as a testimony to the timelessness of groove, where rock dialogues with the cadence of funk and the depth of soul. Its musical architecture, conceived with an exquisite balance between serene passages and explosions of vibrant intensity, projects an imposing presence that resonates elegantly in the contemporary scenery. In this sonic journey, nostalgia and modernity converge, giving the composition a magnetic personality that transcends time and is resolutely inscribed in the sensibility of the present.
The photographs for this lyric video were taken by Fidel Carrillo. Fidel's gaze transcends the simple capture of images; it is an exercise in deep understanding, an act of visual testimony that, with the acuity of someone who has traveled the urban fabric for more than 25 years, extracts from the city its crudest truths and its most unnoticed poetics.
Peru, with its geography of contrasts, its cities with streets full of stories and its inhabitants who resist and dream, is the stage where his documentary sensitivity unfolds masterfully. It is not only the decisive moment that moves him, but the confluence of atmosphere, light and emotion, elements that he orchestrates with obsessive precision to construct images of a moving depth.
The pulse of his photography is marked by an obsession with color and balance, an aesthetic search that does not betray the essence of the story, but rather enhances it. Fidel has addressed essential themes such as migration, identity and blindness, always with the intuition and respect of someone who understands that behind every face, every shadow and every texture there is a story that deserves to be told.
His experience in written media has forged in him a vision that is not satisfied with the surface; his lens penetrates, investigates, and engages in dialogue. As a freelancer, he continues to walk the streets, confronting the city and its complex humanity with the same intensity with which a poet confronts a blank page: with the certainty that each image is a verse to be revealed.
When he heard “Nada Me Podrá Vencer,” Fidel felt an immediate connection with its message. The struggle, resistance and strength that emanate from the song resonated with the very essence of his photography: a committed look at reality, which finds in adversity an expression of beauty and in resilience a form of art. Thus, with that conviction, he joined this project, weaving with his images a visual story that dialogues with the lyrics, turning the lyric video into a piece where music, words and photography converge in the same heartbeat.
“Nada Me Podrá Vencer” was recorded and mixed by Studio Engineer Miguel Ángel Yance at the iconic MCA Studios of the Masters and brothers Saul and Manuel Cornejo, in Lima, Peru. It was mastered by Mastering Engineer Francisco Holzmann from Holz Masters, in Santiago, Chile. And the drums were recorded at Vitto Galiano’s Studio in Athens, Georgia, USA.
The song also received the enormous vocal collaboration in the chorus by Ana Liberata and Jeshua Peralta, who elevated the song to the stratosphere. And if that were not enough, on the winds, “Nada Me Podrá Vencer” had the privilege of having Marco Landa on the trumpet, and Luis Vilchez on the saxophone, maximum masters who shine in the song with the “solos” of their instruments.
