"SERÁ MEJOR": Latest Release
"MAR Y LUNA": Latest Release
SERÁ MEJOR
Single
Composer: Antonio Valero
Recording Engineer: Miguel Ángel Yance
Mix Engineer: Miguel Ángel Yance
Mastering Engineer: Francisco Holzmann from Holz Masters (Santiago de Chile)
Recording Studios: MCA Studios (Lima, Peru) | Grandesigns Studios (Athens, Georgia, USA)
Cover Artwork: Fotográfica Films
"Será Mejor" Logo: Gerardo Larrea
MAR Y LUNA
Single
Composer: Marcos Fernández Dávila
Recording Engineer: Miguel Ángel Yance
Mix Engineer: Miguel Ángel Yance
Mastering Engineer: Francisco Holzmann from Holz Masters (Santiago, Chile)
Recording Studios: MCA Studios (Lima, Peru) | Grandesigns Studios (Athens, Georgia, USA)
AI Cover Artwork: Fotográfica Films
"Mar Y Luna" Logo: Gerardo Larrea
SERÁ MEJOR
Official Video
AI Illustration: Grandesigns Studios
Edition: Fotográfica Films
"Será Mejor" Logo: Gerardo Larrea
MAR Y LUNA
Lyric Video
Video: Cinda Miranda
Edition: Grandesigns Studios (USA) and Fotográfica Films (Spain)
"Mar Y Luna" Logo: Gerardo Larrea
Location: Portugal
The fourth song in La Rattio's creative journey toward their second studio album, "Será Mejor" represents one of the most sincere and emotionally introspective pieces in the band's repertoire. Written in 2007 by Antonio Valero, the song is inspired by a true event: the sudden and inevitable departure of a close friend's sister from home, an episode that became a revealing reflection on the emotional complexities hidden behind family ties.
Narrated in the first person, "Será Mejor" is not simply a chronicle of estrangement; it is an intimate portrait of the exact moment when pain transforms into decision, and decision into freedom. With sober and reflective lyrics, the song manages to distill that mixture of sadness, relief, and determination that often accompanies emotional breakdowns. It is a composition that does not seek to pass judgment, but rather to understand from a place of sensitivity, where the act of leaving is not abandonment, but sometimes the only possible way to preserve oneself.
In times when family loyalties are often cloaked in an unquestionable narrative, this song proposes an epiphany: the true act of maturity isn't always in resisting, but in having the clarity to know when to leave. And to do so with respect, with dignity, and above all, with the certainty that there is a love that is also expressed in the silence of a farewell. "Será Mejor" reminds us that there are decisions that, although painful, have the power to heal what can no longer be repaired from within.
Vitto Galiano, from his Grandesigns Studios in Athens, Georgia, USA, produced a music video developed almost entirely using Artificial Intelligence, based on a script written by Fotográfica Films in Lima, Peru.
The project involved the meticulous creation of two main characters—a man and a woman—whose actions and visual expressions accompany and amplify the lyrical and melodic content of "Será Mejor." Galiano designed, animated, and gave narrative coherence to each scene using advanced AI tools, applying art direction, visual pacing, and audiovisual narrative criteria with technical precision.
The execution required frame-by-frame work, integrating dramatic, melancholic, and hopeful images, ensuring that the piece functioned not only as musical accompaniment but as a standalone audiovisual work. The result demonstrates his mastery of the intersection of digital art and technology, as well as his ability to transform a narrative concept into a high-quality visual product.
It was the end of the last century when Marcos Fernández Dávila (Phelan Kelly), composer of “Mar Y Luna” (Sea and Moon), was deeply affected by the sound he discovered on Radio Doble 9. Driven by this fascination, he sought to capture that sonic atmosphere and make it his own, shaping a song that oscillates between the autobiographical and the imagined, inviting the listener to inhabit that blurred boundary.
The lyrics emerged organically, almost intuitively. Ideas appeared and linked together, gradually revealing the song's direction. “Mar Y Luna” is thus constructed as an inner journey, where confusion, the search for truth, and the fragility of inspiration intertwine.
Throughout the song, the figure of the “writer” reflects a mind in creative crisis, confronted by a world he himself created but can no longer understand. Television, the supposed “truth,” and the irony of what is shown on screen reinforce a critical perspective on contemporary reality, where truth and absurdity coexist without clarity.
In this context, “the sea and the moon” emerge as symbols, silent, almost complicit witnesses to human confusion. They represent an emotional refuge, a space for listening and beauty, though they also reveal their own illusory nature (just a drawing on paper), accentuating the tension between the real and the imagined.
The song is, in essence, an intimate conversation with that which sustains us when everything else loses its meaning.
The lyric video for “Mar Y Luna,” directed by director and photographer Cinda Miranda, translates the essence of the song into a profoundly sensitive and contrasting visual language. Filmed on various beaches in Portugal, the sea is presented as a living character; fierce and untamed in some shots, serene and contemplative in others, precisely reflecting the emotional tensions that run through the lyrics.
Cinda's vision constructs a dialogue between the natural and the internal, where each wave, each horizon, seems to respond to the emotional state of the narrative. This universe expands even further with the intervention of the artificial, sequences developed with artificial intelligence by Vitto Galiano at Grandesigns Studios (Athens, Georgia), which contribute a dreamlike and subtly unsettling dimension.
The result is a piece that not only accompanies the song but reinterprets it, a balance between beauty and strangeness, between the real and the imagined, which envelops the listener in the same question that inhabits “Mar Y Luna.”
“Mar Y Luna” was composed by Marcos Fernández Dávila (Phelan Kelly), produced by La Rattio, recorded and mixed by Studio Engineer Miguel Ángel Yance at MCA Studios, owned by Maestros Saul and Manuel Cornejo, in Lima, Peru. It was mastered by Mastering Engineer Francisco Holzmann of Holz Masters in Santiago, Chile. The percussion was recorded at Grandesigns Studios in Athens, Georgia, USA.
The "Mar Y Luna" logo was designed by fashion illustrator Gerardo Larrea.
The video was edited by Grandesigns Studios (USA) and Fotográfica Films (Spain) and post-produced with some AI-generated imagery by Grandesigns Studios.
