"CORSARIOS": Latest Release
"MAR Y LUNA": Latest Release
CORSARIOS
Single
Composer: Antonio Valero
Recording Engineer: Miguel Ángel Yance
Mix Engineer: Miguel Ángel Yance
Mastering Engineer: Francisco Holzmann from Holz Masters (Santiago de Chile)
Recording Studios: MCA Studios (Lima, Peru) | Grandesigns Studios (Athens, Georgia, USA)
Cover Artwork: Fotográfica Films
"Corsarios" Logo: Fotográfica Films
MAR Y LUNA
Single
Composer: Marcos Fernández Dávila
Recording Engineer: Miguel Ángel Yance
Mix Engineer: Miguel Ángel Yance
Mastering Engineer: Francisco Holzmann from Holz Masters (Santiago, Chile)
Recording Studios: MCA Studios (Lima, Peru) | Grandesigns Studios (Athens, Georgia, USA)
AI Cover Artwork: Fotográfica Films
"Mar Y Luna" Logo: Gerardo Larrea
SERÁ MEJOR
Official Video
AI Illustration: Grandesigns Studios
Edition: Fotográfica Films
"Será Mejor" Logo: Gerardo Larrea
MAR Y LUNA
Lyric Video
Video: Cinda Miranda
Edition: Grandesigns Studios (USA) and Fotográfica Films (Spain)
"Mar Y Luna" Logo: Gerardo Larrea
Location: Portugal
"Corsarios" (Corsairs) is a look at the emotional aftermath of the pandemic: uncertainty, mistrust, and the tendency to reconstruct the past through memory. Composed by Antonio Valero, the song begins with the unexpected reunion of two former partners, an everyday encounter that triggers an internal conflict where memories and perceptions begin to blur, transforming a seemingly simple situation into a psychological journey.
The "corsairs" represent, on the one hand, the ideas, fears, and personal demons that erupt to shatter the peace and alter how we interpret reality. But they also symbolize those who now orbit around that old relationship; new suitors whom the protagonist perceives as a threat, fueling a sense of vulnerability that exists more in his mind than in reality.
With a direct narrative and an atmosphere of restrained tension, the song explores how nostalgia, insecurity, and emotional scars can distort our perception of the present, especially in the solitude of nighttime walks, when the past insists on occupying a space that no longer belongs to it.
The lyrics complement this emotional journey by highlighting the contrast between what is observed from the outside and what is really happening inside someone who is still trying to understand a story that hasn't yet come to an end.
It was the end of the last century when Marcos Fernández Dávila (Phelan Kelly), composer of “Mar Y Luna” (Sea and Moon), was deeply affected by the sound he discovered on Radio Doble 9. Driven by this fascination, he sought to capture that sonic atmosphere and make it his own, shaping a song that oscillates between the autobiographical and the imagined, inviting the listener to inhabit that blurred boundary.
The lyrics emerged organically, almost intuitively. Ideas appeared and linked together, gradually revealing the song's direction. “Mar Y Luna” is thus constructed as an inner journey, where confusion, the search for truth, and the fragility of inspiration intertwine.
Throughout the song, the figure of the “writer” reflects a mind in creative crisis, confronted by a world he himself created but can no longer understand. Television, the supposed “truth,” and the irony of what is shown on screen reinforce a critical perspective on contemporary reality, where truth and absurdity coexist without clarity.
In this context, “the sea and the moon” emerge as symbols, silent, almost complicit witnesses to human confusion. They represent an emotional refuge, a space for listening and beauty, though they also reveal their own illusory nature (just a drawing on paper), accentuating the tension between the real and the imagined.
The song is, in essence, an intimate conversation with that which sustains us when everything else loses its meaning.
The lyric video for “Mar Y Luna,” directed by director and photographer Cinda Miranda, translates the essence of the song into a profoundly sensitive and contrasting visual language. Filmed on various beaches in Portugal, the sea is presented as a living character; fierce and untamed in some shots, serene and contemplative in others, precisely reflecting the emotional tensions that run through the lyrics.
Cinda's vision constructs a dialogue between the natural and the internal, where each wave, each horizon, seems to respond to the emotional state of the narrative. This universe expands even further with the intervention of the artificial, sequences developed with artificial intelligence by Vitto Galiano at Grandesigns Studios (Athens, Georgia), which contribute a dreamlike and subtly unsettling dimension.
The result is a piece that not only accompanies the song but reinterprets it, a balance between beauty and strangeness, between the real and the imagined, which envelops the listener in the same question that inhabits “Mar Y Luna.”
“Mar Y Luna” was composed by Marcos Fernández Dávila (Phelan Kelly), produced by La Rattio, recorded and mixed by Studio Engineer Miguel Ángel Yance at MCA Studios, owned by Maestros Saul and Manuel Cornejo, in Lima, Peru. It was mastered by Mastering Engineer Francisco Holzmann of Holz Masters in Santiago, Chile. The percussion was recorded at Grandesigns Studios in Athens, Georgia, USA.
The "Mar Y Luna" logo was designed by fashion illustrator Gerardo Larrea.
The video was edited by Grandesigns Studios (USA) and Fotográfica Films (Spain) and post-produced with some AI-generated imagery by Grandesigns Studios.
